
The det log against the plan
Holes flash at their actual times, and a hole that did not fire is marked.
The drill pattern, every charge column, what each recorder measured down its holes, and the monitors around the shot. Then play it back, in three looks.

Filmed in ShockAI’s demo worlds: Messmate Hill and Hamersley North, synthetic quarries.
Replay it, colour it by what was measured, and read its timing on the ground. Every picture here is the product, rendered in the ShockAI demo.

One blast, three looks. Site, the ground as scanned under the sun; Drafted, ink on dark paper; Schematic, a sheet to read and export. One key between them.
What happened, instant by instant?. Holes flash as they fire, the front runs down each recorded column, and the traces play with it. Scrub back to any instant.
How did the timing run across the bench?. Firing times as contours, the firing order drawn as each hole fires, the charge per delay through the ground, and the det log against the plan.
Every recorded column. The columns the recorders measured, under the bench, their ranges side by side, and the firing front ridden across the pattern.
Where did the rock go?. A movement model’s answer, drawn over the blast: the burden thrown off the free face and coming to rest.
How far back did the damage reach?. The strain the blast left in the bench, as the damage lens draws it, fitted to the post-blast scan.
The field reaching the town. The vibration field over the ground, and the Ruler laid from the bench to the church’s monitor.
The sun, a photo and the sheet. The sun as it stood at the shot, photo mode for a clean frame, the sheet saved as a drawing to scale, and the clock sent to the moment the ground moved most.
Underground, too. A ring blast reads as a drive. Cut a slab through a ring to see it in section.
The same bench and the same records in each look. One key between them.



Under three minutes over two demo worlds, rendered in the Cinematic tier, with music. The narrated walkthrough, chapter by chapter, is a click away.
2:44With musicMusic: Edvard Grieg, In the Hall of the Mountain King · Czech National Symphony Orchestra · Musopen (public domain). Both worlds are synthetic.
The whole blast in one scene, and every hole of it a click away.

Holes flash at their actual times, and a hole that did not fire is marked.



Records from your own seismographs stand as pins where they were placed, beside the ShotTrack units.


VoD recorders measure down the holes; ViB units monitor around the shot. Specifications and quotes are on the ShotTrack site.
VoD-610Full-range precisionOn the ShotTrack site
ViB Pro XDual-range performanceOn the ShotTrack site
ViB SaSSound, air & seismicOn the ShotTrack sitePlain-language explainers on the ShotTrack site.
The docs walk through each part of the ShockAI Visualiser with the same captures.
We’re refining ShockAI with a small group of mining and construction teams. Tell us about your sites and your instruments.